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Rally crash photography
Unpredictable as it may be, you must react to what's happening in a fraction of a second, or the moment may be lost forever
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Rally car crash photography | Full manual camera operation

I've seen rally cars cartwheel through the air, smash through farmers' gates, through hedges, through walls, down ditches, intro streams, limp along on 3 wheels, no windows, bent roofs, you name it! And it never ceases to amaze me just how many rally cars limp into service only to speed away 20 minutes later as if nothing had happened. How do they do that?

Taking pictures during the moments of a crash is always something of a problem for me. The excitement of what is unfolding through the lens sometimes bleeds me dry of any photographic knowledge I might have, and the shot of a lifetime is often slightly blurred or shakey or I miss it completely. Your natural instincts take over and I think subconsciously you panic a bit. I do anyway and, as you lower the camera, you are stunned and relieved to see the driver and co-driver walk away from a smoking wreck with hardly a scratch!

The Peugeot is flipped up and into the hedge..... it comes back down to earth......
FRAME ONE FRAME TWO
with a thump ..... but the driver and co-driver are fine - they're just screaming at the spectators to get the car back on its wheels!
FRAME THREE FRAME FOUR

Look closely at the 4 frames above and you'll see that only frame number 4 is in focus. Why? Two things, firstly (as mentioned earlier) the Canon EF100-400mm lens finds focus in its own good time, only when it is good and ready, it won't be rushed. There should have been an extra frame before frame number 1 but the speed with which the car flew by at close quarters was pushing the focusing capabilities of the lens way beyond what could be expected.

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Second, obviously I couldn't predict this car was going to roll and with no time to mess about with the camera you just hope for the best and use whatever settings you happen to have on camera at that moment. You fire off as many frames as you can but typically you run out of film or data storage just when you least need it and you want everything to work spot on.

These ultra-high-speed situations also shows up a problem with the Canon EOS 50E camera body. It is too slow at firing off frames when you really need them, and when you do hold the button down and fire away (using AI-servo autofocus), chances are about 1 in 4 - or even 1 in 5 - action shots will be in sharp focus, the rest will be slightly out. It's not the camera's fault really, it's not a professional camera, you're just trying to push it beyond its capabilities and that's why, for me, when the photography became more than just a hobby, equipment like the Canon EOS 1V, capable of up to 10 frames per second (not that you need 10fps), was important. You need equipment that works well within its limitations. All the above frames would probably have been pin sharp with the Canon EOS 1V HS or 1D mkII with an EF70-200mm f2.8L lens, equipment which is fast at every point in the picture-taking process.

Crashes involve real people

The crash sequence has my good friend Rory Galligan at the wheel with my brother-in-law Jonty Bolsover co-driving, which is why stood close to me as I was taking these pictures were family and friends, including children, who burst into tears as the incident unfolded in front of us. People I knew well ran the 100 yards down the stage to the smoking wreck fearing the worst, only to be welcomed by a driver and co-driver screaming at spectators to get the car back onto its wheels.

Rory was absolutely furious with himself. A championship was at stake and he desperately needed a points' finish on the event. I could hear Rory shouting at himself from where I was stood. The spectators got the car back on its wheels and Rory promptly reversed into an extremely sturdy Belgian lamp-post; through the 'red mist' that was clouding his vision, he just couldn't figure out why they couldn't drive any further backwards! You can see the lamp-post in frame number 1.

The car limped out of the stage and the service crew did everything possible, and a whole lot more, to try and resurrect the team's chances of continuing. It wasn't to be, and the retirement probably cost Rory and Jonty the championship that year.

How did the crash happen? The car clipped a shallow ditch on the inside of a slight left-hander on the flying finish and the front leftside dug in, flipping the car up and into the hedge. So they did manage to cross the stage finish and they did collect a time but retired in the process! That's rallying for you!

 
Rally Photography advice
About the photographer | Getting started
Canadian photography | WRC Finland photography
Carlos Sainz WRC photography | In-car rally photography | Rally photography at night
Rally car crash photography | Full manual camera operation
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